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http://www.eijkhout.net/lead_follow/clubs_bands.html
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9.13 On Clubs And Bands
Dancers need to understand that they have to support the clubs or they (the promoter and dancers) will get kicked out. Supporting the club doesn’t mean you have to buy a drink with alcohol in it, just buy a soda or two. If all the dancers who go to a bar would do this fewer clubs would close. I personally don’t drink a lot of alcohol, occasionally I will order a “drink” but I always order at least two soft drinks… A restaurant manager told me that the bar makes more money from a soft drink from the gun than it does from most alcoholic beverages, so don’t feel you’re not helping to pay the bills thereby. Tipping the server is essential. Look at it this way: If the manager is unsure about whether to continue “swing night” or “CW night” or whatever, the opinions of the servers may “tip” the balance… and nothing will get a bunch of servers allied against a group faster than the group’s being known as lousy tippers.
I’m frequently upset by the lack of respect we dancers show our bands. Go to your next dance and listen to the smattering of applause after every number, at the beginning of breaks and the end of the evening. When we’re not paying attention dancers often leave the floor tired and happy at the end of a song, forgetting to clap altogether. More than one band has finished a tune, and left the stage, while the dancers mingle, chat, waiting for another tune, and then realize the band is gone.
Hearty applause is a good thing. Bands are often used to playing to crowds that don’t react to them or acknowledge them, but if you want the most energy out of a band, give some back. Musicians play better in response to riotous applause than to lukewarm handclaps. If you really think the audience is enthusiastic about what you are playing you work a *lot* harder to please them – playing a wilder organ solo on that blues number, pounding the piano with ever more energy in those swing tunes.
Jonathan & Sylvia as part of their classes often have “clapping practice.” They tell their students after a practice song to clap as if a live band had just finished a number. Bands who are always shown appreciation by the dancers give out great energy in return.
Try, whenever possible, to act as a *plant* in the audience. Start the applause early, keep it loud and keep it going. This often helps other dancers to remember to clap. Always applaud after a set if the band announces they are taking a break. Finally, go over to the band while they are packing up and I thank them, as a group. All bands appreciate that.
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9.13 On Clubs And Bands
Dancers need to understand that they have to support the clubs or they (the promoter and dancers) will get kicked out. Supporting the club doesn’t mean you have to buy a drink with alcohol in it, just buy a soda or two. If all the dancers who go to a bar would do this fewer clubs would close. I personally don’t drink a lot of alcohol, occasionally I will order a “drink” but I always order at least two soft drinks… A restaurant manager told me that the bar makes more money from a soft drink from the gun than it does from most alcoholic beverages, so don’t feel you’re not helping to pay the bills thereby. Tipping the server is essential. Look at it this way: If the manager is unsure about whether to continue “swing night” or “CW night” or whatever, the opinions of the servers may “tip” the balance… and nothing will get a bunch of servers allied against a group faster than the group’s being known as lousy tippers.
I’m frequently upset by the lack of respect we dancers show our bands. Go to your next dance and listen to the smattering of applause after every number, at the beginning of breaks and the end of the evening. When we’re not paying attention dancers often leave the floor tired and happy at the end of a song, forgetting to clap altogether. More than one band has finished a tune, and left the stage, while the dancers mingle, chat, waiting for another tune, and then realize the band is gone.
Hearty applause is a good thing. Bands are often used to playing to crowds that don’t react to them or acknowledge them, but if you want the most energy out of a band, give some back. Musicians play better in response to riotous applause than to lukewarm handclaps. If you really think the audience is enthusiastic about what you are playing you work a *lot* harder to please them – playing a wilder organ solo on that blues number, pounding the piano with ever more energy in those swing tunes.
Jonathan & Sylvia as part of their classes often have “clapping practice.” They tell their students after a practice song to clap as if a live band had just finished a number. Bands who are always shown appreciation by the dancers give out great energy in return.
Try, whenever possible, to act as a *plant* in the audience. Start the applause early, keep it loud and keep it going. This often helps other dancers to remember to clap. Always applaud after a set if the band announces they are taking a break. Finally, go over to the band while they are packing up and I thank them, as a group. All bands appreciate that.
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