解説
対訳
A good morning, my name is Hubert De Maeschalck from Belgium.
I’m a World DanceSport Federation ??? chairman, and today I’d like to talk about something I think out, of course, couples are missing in today’s waltz.
I especially will talk about the RISE and FALL in slows (Slow Waltzのことか？).
Luca Bussoletti and Tjasa Vulic,
They will demonstrate some things I don’t like what we see these days in basic action, RISE and FALL in waltz.
First of all I will ask Luca to show solo, what we should see in the RISE and FALL in waltz because the Technique says RISE the end of one, continue two and three, lower at the end of three.
And Luca will show you exactly it should look like.
Can you dance it, Luca?
One, two, three, one, two, three, and.
You see if you look very clearly.
Can you do it please again?
The end of one is right heel will leave the floor.
On two, if you have center of balance
And on three, it still rise and lower at end of three.
Can we have it again?
One, two, three, one, two, three, and.
Thank you.
1:31
Now, can we ask Tjasa to do the same and as we all know in the technique book?
This is a bit different because the lady, when she arrives on one, she will have no foot rise.
So her weight stays longer on her left foot.
Can you dance, Tjasa please?
One, two, three, one, two, three, and.
Thank you.
Can you just do it again and stop on two please, yes?
One, two, three, one, two.
You see her weight is still on the left foot.
She will have a body rise to follow what Luca is doing, and then, she will go up on three and lower end of three.
Thank you.
2:15
Can we have together please?
2:18
One, two, three, one, two, and.
Okay, thank you.
2:30
Can you show what I don’t like and what we see so many times in competition you will see, together that two and three has the same height.
And also you will see a lot of couples do the weight on three, that should be lowest point.
You also see that they go even more than on one what is really wrong.
Wrong Way!
2:51
Can you do it completely wrong please?
One, two, three, one, two, three, and.
This is what we see these days and I think we have to change.
This is the wrong way.
Right Way!
We do it once again, right way,
And please look at this couple.
They will show the right way.
This is how you should do it.
One, two, three, one, two, three, and.
Thank you
3:20
And if you can stop if possible after every center balanced points?
One, two, three, one, two, three, stop. That’s good.
We turn.
And one, two, stop, good.
One, two, three to promenade to corner.
One, and two, stop.
Now you see that always center balance they lowered the heel to the ground.
Pick up reverse please?
One and two and three, slip pivot.
Look the position. Look the feet.
If we can do, to promenade maybe and.
One, two, and three, chasse,
And promenade is possible, one, chasse, one. okay. one, two.
Thank you.
This is the right way.
4:25
（間違った踊り方）
Thank you.
This is wrong because, instead of using the body weight, the power in the legs and the power in the knees. They only used the power in the body.
5:00
（正しい踊り方）
Okay, this was the right way
Thank you.
5:20
Now,to finish, I like to say one more thing about the inside and outside of turn.
You saw just this couple dancing and it looked so easy.
You will see the first part.
This is the swing that Luca will do.
He has more movement than Tjasa
So he runs one, two, three, one, two, three.
Now he has the rotation and after the rotation is in the inside of the turn, Tjasa will work a little bit more because it’s normal on the outside.
You have more distance so.
Can you turn one, two, three? Good!
Over (?) don’t turn lock was the same also
The lady is what’s working.
Now we do the quick open reverse, one and, two and, three. Good!
Now again, we the Chasse.
Look the space he gives to the girl and to the promenade and in the Chasse, of course we work together.
But he can’t do it. The hole (??) is finished.
Let’s do it again.
So the Chasse from promenade, one, two, three, one two and, three. Good!
Now I hope you see what I think it’s so important because if we dance for me, first of all, you have to dance as a couple; it has to be in a music; and we have to follow the technique that is written in the books.
Thank you very much for your help.
Thank you and good luck in the competitions.
Thank you.